Tess Haegele


The Creation of a New Woman

     The image of women was remarkably changed during the Roaring 20s, also known as the Jazz Age, and molded into the “modern woman.” Women became more free, independent, and behaved more like men than ever before. These changing attitudes were reflected in the dress of woman. Jazz was the big music of the time, so what was danced to. Dance was the new favorite past-time of the Roaring Twenties and one of the most liberating activities. All the cultural and moral changes stemmed from this idea of liberation. These changes were only the beginning of new-found freedom.
     So the question stands, how did this spark get lit? Pre-WWI women really did not date, they would wait for a suitable man to marry. A generation of young men were killed at war leaving a lonely generation of single young women back at home. They decided they didn’t want to waste their lives and that they should enjoy it. A new fast-paced lifestyle emerged and with that a new kind of woman.
     Women referred to as flappers emerged. They are most recognized by their fringed flapper gowns and feathered headbands. Flappers were all kinds of rebellious and reckless. They wore shorter skirts, make-up which was only for loose women. They drank alcohol during the prohibition and they smoked which was for men. Ford developed the car in this time period which fit perfectly. They were fast and dangerous. With the new ability to drive away, backseat “petting” and petting parties came about. This was more sexual activity than previously accepted. A new standard was being set. Flappers were popularized by Fitzgerald’s The Great Gatsby.

Jazz music was big at this time and with that, more dancing developed which fit right in with the new fast paced lifestyle women were embracing. Dances like the Charleston, cake-walk, turkey trot, black bottom, and bunny hug were popular. The increased sexual activity wasn’t only at petting parties. It was also evident in dance. It became common to have closer body contact while dancing. Jazz music was especially important here because it was so romantic.

Due to their more active lives, women wanted more “free” clothes. Low wasted dresses with full hemlines allowed them to literally kick up their heels as was necessary in the Charleston. Corsets were abandoned and they would flatten their chests. Often they would cut their hair off into a bob. It became acceptable to show their knees. These things were liberating for women bringing a sense of independence.

Women had placed value on the social and economic benefits of marrying, often determining who they would marry. Their self-worth really wasn’t considered. As they became more independent, their view of themselves was altered. They found more self-worth. Ironically as woman became more “scandalous” and “loose” they developed a greater sense of worth for themselves. Love became more important than just money or social standing.

Sources:

 O'Meally, Robert G. "Jazz Music in Motion: Dancers and Big Bands." The Jazz Cadence of American Culture. New York: Columbia UP, 1998. N. pag. Print.

Doan, Laura. "Feminist Studies." Feminist Studies. 24.3 (1998): 663. Print.



 Aschkenase, Michele. All the sad young women: A feminist, new economic analysis of F. Scott Fitzgerald's debutante-flappers. Diss. Georgia State University, 2001. Dissertations Publishing, 2001. Print.